Jet
Set Radio Future: Soundtrack
Music
Listings:
- Humming the Bassline (D.S. Remix) – Hideki Naganuma
- Aisle 10 (Hello Allison) – Scapegoat Wax
- The Answer (The Latch Brothers Remix) – Bran Van 3000
- Baby-T – Guitar Vader
- Birthday Cake – Cibo Matto
- Bokfresh – Richard Jacques
- Latch Brother Bounce – The Latch Brothers
- Fly Like a Butterfly – Hideki Naganuma
- The Concept of Love - Hideki Naganuma
- Funky Dealer – Hideki Naganuma
- Shape Da Future – Hideki Naganuma
- Statement of Intent – bis
- Koto Stomp – The Latch Brothers
- Count Latchula – The Latch Brothers
- Let Mom Sleep (No Sleep Remix) – Hideki Naganuma, remixed by Richard Jacques
- I Love Love You (Love Love Super Dimension Mix) – Guitar Vader
- Rockin' The Mic (The Latch Brothers Remix) – The Prunes
- I'm Not A Model – Russell Simins
- Oldies but Happies – Hideki Naganuma
- Me Likey the Poom Poom – The Latch Brothers
- Rock It On (D.S. Mix) – Hideki Naganuma
- The Scrappy (The Latch Bros Remix) – BS 2000
- Sneakman (Toronto Mix) – Hideki Naganuma
- Ill Victory Beat – The Latch Brothers
- What About the Future – Richard Jacques
- Teknopathetic – Hideki Naganuma
- Like It Like This Like That – Hideki Naganuma
- Sweet Soul Brother (B.B. Rights Mix) - Hideki Naganuma
- That's Enough (B.B. Rights Mix) – Hideki Naganuma
- Grace and Glory (B.B. Rights Mix) – Hideki Naganuma
Analysis
Starting
with the order, given this is a soundtrack for a cult classic
videogame this soundtrack is partially listed in order to best
compliment surroundings where it will appear but is also
intentionally styled like radio line up or mixed tape. Starting with
fairly generic songs it surges outward into the strange and unusual
items outside the mainstream, from electronic alternative music, to
rock, rap, punk, and even pop. In addition like a DJ taking requests
or a mix tape of songs it's tone shifts wildly yet it still seems to
flow by some unseen connection that stitches the patchwork of genres
and styles together into a cohesive whole, in context this makes a
lot of sense given the music is supposedly coming from an underground
radio station including song transitions and mixes at the end and
beginning of each song.
From a
thematic standpoint however there is a great amount of connection
between the songs mainly non-conformity, dissatisfaction with the
world as it is, and resistance of authority. Given much of this music
is Japanese in origin and is set in Japan this would have been a very
serious standpoint outside the norm when this was released. Japan up
until recently had a very conformist and duty/tradition centered
culture making this soundtrack distilled dissidence for the youth
combined with a focus on skatters (frowned upon) and graffiti
(illegal) it shows a very strong tie to the nonconformist ideals of
rejecting the past in favor of the future hence the title.
Finally
we get to the feel of the album, call it aesthetic sense or whatever
fancy name you choose but the most important thing about a song or an
album is how it feels to the listener. Personally this album takes me
through the range from angry, excited, flamboyant, and cheery to
mildly depressive, unhappy, weirded out, and confused. This is an
amazing range for any one album to invoke in a listener and though
some of my feelings like depressive or unhappy have negative
connotations attached to them it is good to feel that way from a
song, look at sad songs like “every rose has its thorns” and
you'll see that everyone likes to feel the negative feelings
sometimes just like the positives. Summed up this is a genuinely
special album that's worth listening to and the only unsatisfactory
part is that some of the songs from the original list haven't been
included on any disk release.
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